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Natalia Fedorova

Natalia Fedorova is an artist, curator and educator working in the field of mediation between the natural languages and the languages of machines and living systems

Category: language art research

February 3, 2016August 4, 2018

10th Anniversary of [Translit] Journal

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December 30, 2015August 4, 2018

Письмо на поверхности языка: Зачем нужны выставки текстового искусства?

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September 9, 2015September 4, 2018

Erasure

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December 7, 2014August 4, 2018

On the Borderline of Textoids and Pictoids: Digital Letterisms

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November 3, 2014August 4, 2018

10 Female Dadaists

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October 20, 2014August 4, 2018

FLUXUS

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August 11, 2014August 4, 2018

Poetry Cube, a sonic sculpture

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March 24, 2014August 4, 2018

Комбинаторная литература. Гость: Татьяна Бонч Осмоловская

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March 20, 2014August 4, 2018

Mediapoetry Lab, NCCA Moscow 15-16 March 2014

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Recent Posts

  • Querus robur: diary of the summer 2020
  • Human friendly inner space
  • To be the wind for the tree
  • Tracks
  • Whatever lives must also write
  • Частная жизнь радиочастот
  • Art.Is.Natalia
  • Track2track
  • RE:Trace
  • #Track Track
  • Track Track
  • Noor@Bard
  • Brain Opera Exploring Surveillance in 360-degree Immersive Theatre
  • НЕ ПЕРЕКЛЮЧАЙТЕСЬ!
  • The Letter
  • ҂
  • Scar Time 3
  • #19Транслит
  • #Women TechLit
  • BYOB, 16 February 2017
  • con.txt
  • Locative Narrative
  • Erasure
  • Sound Object
  • Text-Image
  • Text Generators
  • Videopoetry
  • 101 Postdigital Object: A Book
  • Videopoetry
  • Midterm Performance at 2,04
  • 2×6 Global Launch
  • Digital Genres After 1989
  • Text=Image
  • ABC at Quartariata
  • Why not, a virtual biennale
  • Sonicology
  • Forms of Madness: Part I and Part II
  • txt, Gogol Museum
  • Noor, brain opera, ISEA 2016, Hong Kong
  • 101. Foramatting Memory
  • Медиапоэзия: память языка, память медиа
  • Sound in Theory, Sound in Practice, Bard College, NY
  • 21 марта 2016  «Всемирный день поэзии»
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  • 10th Anniversary of [Translit] Journal
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  • Ashraf Fayad
  • Письмо на поверхности языка: Зачем нужны выставки текстового искусства?
  • {ПРО]]ЧТЕНИЕ LEP Final Performance 2015
  • Hypertexts
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