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June 14, 2018August 4, 2018

Whatever lives must also write

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June 8, 2018August 4, 2018

Частная жизнь радиочастот

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May 13, 2018August 4, 2018

Art.Is.Natalia

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December 15, 2017September 16, 2018

Track2track

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November 9, 2017August 4, 2018

RE:Trace

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November 8, 2017November 8, 2017

#Track Track

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November 7, 2017August 4, 2018

Track Track

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August 28, 2017August 4, 2018

Noor@Bard

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May 17, 2017August 4, 2018

Brain Opera Exploring Surveillance in 360-degree Immersive Theatre

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  • Whatever lives must also write
  • Частная жизнь радиочастот
  • Art.Is.Natalia
  • Track2track
  • RE:Trace
  • #Track Track
  • Track Track
  • Noor@Bard
  • Brain Opera Exploring Surveillance in 360-degree Immersive Theatre
  • НЕ ПЕРЕКЛЮЧАЙТЕСЬ!
  • The Letter
  • ҂
  • Scar Time 3
  • #19Транслит
  • #Women TechLit
  • BYOB, 16 February 2017
  • con.txt
  • Locative Narrative
  • Erasure
  • Sound Object
  • Text-Image
  • Text Generators
  • Videopoetry
  • 101 Postdigital Object: A Book
  • Videopoetry
  • Midterm Performance at 2,04
  • 2×6 Global Launch
  • Digital Genres After 1989
  • Text=Image
  • ABC at Quartariata
  • Why not, a virtual biennale
  • Sonicology
  • Forms of Madness: Part I and Part II
  • txt, Gogol Museum
  • Noor, brain opera, ISEA 2016, Hong Kong
  • 101. Foramatting Memory
  • Медиапоэзия: память языка, память медиа
  • Sound in Theory, Sound in Practice, Bard College, NY
  • 21 марта 2016  «Всемирный день поэзии»
  • my/
  • 10th Anniversary of [Translit] Journal
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  • Ashraf Fayad
  • Письмо на поверхности языка: Зачем нужны выставки текстового искусства?
  • {ПРО]]ЧТЕНИЕ LEP Final Performance 2015
  • Hypertexts
  • LEP: FRONTOM, Midterm Performance
  • Words and/as Things
  • Text =Attels
  • Quotational practices
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